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TRUST: UNDER THE LIGHT OF THE TV SCREEN

Never was there an invention that was so publicly and paradoxically both loved and reviled as the television set. Especially in the world...

RED SORGHUM: GROWING UNITY

I’ll admit it: I’m not well-schooled in the intricacies of the propaganda film (although, if we’re being honest, I’m hardly well-schooled...

ART IMITATES LIFE: ON TAKESHI KITANO

The best part of any Takeshi Kitano movie is Kitano himself. Well, for the ones where he casts himself as the main role, at least. Sure,...

SCREAM, AND ITS ECHO THROUGH THE 1990S

Picture this: you know you need to watch a horror movie from the 1990s for some arbitrary self-imposed reason, but how do you decide...

‘90S PLASTIC BAG: THE OBLIGATORY CORONAVIRUS ESSAY

I recently watched a little relic of the ‘90s called The Living End. It’s one of Araki’s earlier, more amateur features, completed right...

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